Shailene at Sirius XM Studios

Shailene stopped by the Sirius XM studios this weekend for a TFIOS chat.

Pictures

Sneak Peek at the Chat

More to come!

Pictures via Shailene Woodley Brazil, Audio Source

Ansel and Shailene Play Fun Game with EW

Ansel Elgort and Shailene Woodley played a game at their EW cover shoot, in which they were tested on how well they knew each other.

Check out the fun video below

Source: EW

Ansel and Shailene talk to EW about Gus and Hazel's first meeting

Shailene and Ansel talk with Entertainment Weekly about Hazel and Gus' first real meeting outside Support Group.

Shailene thinks Augustus' pickup skills are on point and we definitely have to agree!

Check out more TFIOS goodies here at the source!

TFIOS is on the cover of EW

The Fault in our Stars is on the cover of this week's Entertainment Weekly Magazine.

Behind the scenes video

thanks maria!

 

 

Entertainment Weekly's Sara Vilkomerson visited The Fault In Our Stars set in Pittsburgh  back in September. She interviewed the cast and crew and was able to see movie making magic. EW also revealed some new stills.

Here are some highlights:

John Green cries a lot: 
 “John Green cries all the time,” says director Josh Boone, laughing. “This set basically has no testosterone whatsoever.”

Amsterdam dinner scene was filmed and everyone was in awe: 
"In a separate room, Green and executive producer Isaac Klausner watch the monitor as the camera rolls and Gus, dapper in a dark suit, enters the room and sees Hazel. He stops, dumbstruck, before finally telling her she’s beautiful. Take after take, Woodley flushes on cue and the air between the two actors practically hums. When the scene ends, Green takes off his wire-rim glasses and dabs his eyes. “It’s that blue dress,” he says. Klausner pats him on the shoulder."

John Green never thought TFIOS would be successful: 
“The challenge is, How do you be hopeful without being full of s—?” Green says. “I tried to write the funniest, most honest love story I could about these kids who were living with a difficult disease. I never thought it would be popular.” 

The cast and crew really cared about the story and the movie:
 “We need to talk about the vomit,” someone says. The filmmakers and crew huddle up as a production assistant pours three different puddles of fake puke on the floor. The options range from putrid green to chunky brown. Giggles, jokes, and comparisons — “That one’s like newborn diaper poo!” — are tossed about. Then the on-set medic explains that one option has coffee grounds in it to mimic the look of blood mixed with bile, and the room goes quiet. Boone clears his throat and points to the one he likes (the middle, mud-colored one), and everyone goes back to setting up the next shot. “There’s a lot of that on this set,” Green says. “Everybody really likes each other and it’s fun. But then there are those times when it’s really quite sober.” 

Josh Boone really cares about this book and movie, which made him a great director:
 "Like many people on the production, Josh Boone, 35, has a personal connection to the material — one of his best friends died of lung cancer a month before he began shooting his first film, 2013′s Stuck in Love. “This book got me through a rough patch,” he says. Boone is tall and skinny, and he looks much younger than his age. He also seems preternaturally relaxed considering it’s only his second movie, and his first studio project. “I don’t really get stressed,” he says, grinning. “I’m pretty Zen.”

John pretty much approves of everything in this movie: 
 John Green is relaxing on a couch on set when Elgort strides by wearing his Amsterdam-date suit. “My God, buddy,” Green says. “If I had known how great you’d look in that suit, I’d have written more of them into this book.” Elgort smiles and strikes a pose. The author has become a living litmus test for the cast and crew, the man whom they seek out for answers and validation. “Having John’s approval, more than anyone else, has been the biggest honor,” Woodley says. “He’s quickly become one of my top five favorite human beings.”

For the entire article, visit EW.com or buy the issue on stands this Friday.

Make sure to check out the scans (CUTENESS alert):

 

 Please credit if used.
Thanks Claire!

From EW's online site: 

Shailene talks to Entertainment Weekly at CinemaCon

Shailene talks to Entertainment Weekly's Nicole Sperling about The Fault in Our Stars and her whirlwind 2014, filled with both TFIOS and Divergent press.

Source: Zimbio, Divergent Life

On her intertwining press commitments:

"I was just saying that Fault is about two kids with cancer who jump off buildings and run on trains," she says with a laugh. "Wait, is that not right?"

On TFIOS not being a 'cancer movie':

“People ask me in interviews all the time, ‘How did it feel to play a cancer patient?’ I didn’t play a cancer patient. I played a girl who happened to be leading this life and happened to have ‘a touch of cancer,’” she says, in reference to a line from Green’s novel. “This book — and movie — they don’t victimize death, they empower life. That should be the tagline.”

On the importance of TFIOS in the film industry:

"It’s such an important movie: It’s a big studio movie where their lead female has a cannula [oxygen tube] in, in every scene, and on the f—in’ poster my face has no makeup on it and an oxygen tube,” she says. “That is groundbreaking and it’s completely rewriting the paradigm for how female leads exist. I saw [Fox's chairman and chief executive] Jim Gianopolus, and I said, ‘Thank you so much for having the guts and the balls to make a movie like this, to put out a movie like this.’ People making indie movies don’t even make movies like this. It’s so cool.”

Read the rest of the insightful interview with Shailene here at the source.