Showing posts with label Scott Neustadter. Show all posts
Showing posts with label Scott Neustadter. Show all posts

Tuesday, June 10, 2014

TFIOS at BookCon: Pictures and Recap

We were lucky enough to be able to go to BookCon and see John, Josh, Nat and the writers and producers of TFIOS this Saturday.

Pictures















(Please source us if posting elsewhere.)


Recap


EW's recap of the event

1. MOVIEMAKING WORRIES
Green said he initially resisted the idea of a film adaptation because he assumed Hollywood would try to minimize the painful parts of this story of two young cancer patients who fall in love, finding a reason to live as they face down death.
For instance, he didn’t want the actress who plays Hazel (Shailene Woodly) to be depicted without the cannula breathing tube, even in the advertising – which he assumed would never happen.
Green began to change his mind when producer Wyck Godfrey and Isaac Klausner grabbed him for a few minutes backstage at a middle school event, and did a quick sell.
“They said … ‘We’re going to see that Hazel has her cannula in every part of the movie. Her disability is going to be part of her life, but not the defining characteristic of her life,” Green said. “They had three or four minutes to talk to me, and in those three minutes they said everything I wanted to hear.”
A mild cheer went up for that.
“I felt like I had to let them try,” Green said. “And I have to say they kept every promise.
SCREAM: WOO!

LEVEL: 1, Obligatory. They’d heard this before.

2. CHANGES TO THE STORY
Green revealed that he was bothered by some of the changes in the script, but only out of envy.
“There were parts of it I was infuriated by, actually. But I was mad about things I wish I had done,” the author said. “Particularly at the end of the script. I remember I got to the last 10 pages and was like, ARRRGH! So much better. ARRRGH. I was really mad. … I worked on that for years!”
There was a moment of stunned silence as fans contemplated possible alterations to the book’s tearful finale, made by screenwriters Scott Neustadter and Michael H. Weber, best known for (500) Days of Summer.
Then Green reassured them: “They captured the tone of the book, the feel of the book, and the vibe I wanted the book to have. I have no idea how they did that, but I was very grateful. I called Wyck and said, ‘This is good, let’s not change anything.”
SCREAM: WOOOO!

LEVEL: 4, Nervous relief and curiosity.

3. JUST ASKING FOR IT
The moderator, Entertainment Weekly’s own Sara Vilkomerson, noted that actor and musician Nat Wolff (who plays Isaac, a friend of lead characters Gus and Hazel who has lost his eyesight to cancer) is the one who first brought the material to director Josh Boone.
“I said you got to get this director job, they don’t have a director for The Fault In Our Stars,” Wolff said, breaking into a mumbling impersonation: “’Ah, well … I’ll never get that.’ And then I think he just owed me, so he had to give me the part of Isaac.”
Then Wolff paused, smiled at the audience, and said: “How you guys doing?”
A scream of ecstasy erupted – for no good reason, as Green noted: “You can tell Nat is a musician because if it goes 30 seconds without screaming, he’s like, ‘What’s wrong?”
SCREAM: AHHHH!

LEVEL: 5, Swooning.

4. THE HEART WILL GO ON
Vilkomerson also asked Boone what his pitch was that earned him the job from the producers.
“I went in and told them that I thought this was Titanic, and cancer was the iceberg,” Boone said.
The rest of his answer was drowned out by a swell of bittersweet moans.
SCREAM: AWWWwwwwww …

LEVEL: 4, it hurts so good.

5. FUTURE MOVIES FROM JOHN GREEN
Boone, who worked with Wolff on the 2012 film Stuck In Love, described the actor as a good luck charm of sorts. “Nat and I are married cinematically, forever,” Boone said. (Wolff deadpanned: “Not just cinematically.”)
“That’s great. But he is not available while we’re filming Paper Towns,” Green cut in, referring to the upcoming film adaptation of his other novel, which will also feature Wolff.
A wail of excitement pierced the air, and a similar cry rose later when an audience member asked Green if his novel Looking For Alaska would also be headed to the screen soon. Green hesitated, looking back and forth between the producers, clearly not sure how to answer – but suggesting there was good news.
“None of us control Looking For Alaska,” producer Godfrey said. “But I have a feeling as of next week things will look better.”
Green smiled. “That’s a very politically astute answer, Wyck. Good job.”
SCREAM: WOOOOOOO-HOOO!

LEVEL: 7, and a double. The crowd was very eager to see both of those movies become realities.

6. TRACKS OF MY TEARS
Green addressed his now infamous crying jags during the filming in Pittsburgh.
“Well, I mean, I cried a lot, partly because there are some sad parts,” Green said. “But I also cried during the happy parts and the funny parts of the movie because I was so overwhelmed. … I might start crying right now.”
A sympathetic moan began to rumble through the auditorium.
“Yes, I did cry all the time, but I was crying because it was so overwhelming and nice,” he added. “I just felt so honored, and complete, and happy. It’s just been an amazing, amazing trip.”
SCREAM: AWWWWWWWWWwwww…

LEVEL: 7, moist eyes, downturned mouths, and hands over hearts.

7. DANGEROUS RUSH
When Vilkomerson opened the panel up to questions from the audience, there was an immediate scuffling of chairs and shoving of tables as attendees – most of them adolescent girls – began crushing toward the microphone in the center of the room.
It was so intense, and so sudden, that a panic began to break out and Green himself began calling from the stage: “Stop. Stop! STOP! STOP!!”
He ordered everyone pushing into the line to, “Go back to your seats,” saying there were already more than enough people to close out the hour-long event.
SCREAM: CEASE AND DESIST!

LEVEL: 5, it was just Green crying out this time, but he was clearly worried about someone getting hurt.

8. TURNED ON, BUT SHOULD THE LEG COME OFF?

picture credit: Rosianna
No doubt the biggest, funniest, and most emotional reaction during the BookCon panel came near the very end, when a young man wearing shorts that revealed his prosthetic leg got his turn at the microphone.
The lead male character, Gus (played by Ansel Elgort) has had one leg amputated due to his cancer, and the questioner first wanted to make a comment about the book’s famous love scene between Gus and Hazel.
“As an amputee myself, I just wanted to say thank you, John, for answering a lifelong question of mine, which is: whether, during sex, to keep my leg on or off,” the young man said, to deafening squeals of delight from the mostly female audience.
Green rocked back in his chair laughing, then brought everything to a halt by jumping off the stage to give the man a hug. When he returned to stage, Green said: “That [question] didn’t go the direction I expected!”
A woman who had a question immediately after that noted: “I think he’s got a roomful of dates already,” while Green scanned the crowd and pointing out various girls swarming him.
“He’s not going to be able to walk out,” Green said. “He keeps getting stopped!”
SCREAM: WOOOOOOOOOOOOOOOOOO!!

LEVEL: 10, that blew to roof off the convention center. Even Green said, “That was one of the highlights of my whole career.”


TFIOS at BookCon: Video

We managed to snag great seats at the TFIOS BookCon panel and catch it on video for you all. Below is each question singled in its own video in a playlist. Listed are descriptions of what you'll be watching.


It was an amazing panel, so be sure to check out the whole panel in the playlist below!


Playlist




1: Producer Wyck Godfrey on why he thought TFIOS would make a successful movie.
2: One of the screenwriters, Michael Weber, on adapting John Green's book.
3: One of the screenwriters, Scott Neustadter, on the adaption process and keeping in contact with John.
4: Nat talks about how he became Isaac (with a hysterical Josh Boone impression to supplement).
5: Josh Boone on the process of becoming director and truncated film clips. Additionally, Wyck on how Josh is a great fit.
6: Producer Wyck Godfrey, screenwriters Scott Neustadter and Michael Weber, John Green, and director Josh Boone discuss Shailene Woodley's casting as Hazel Grace Lancaster.
7: Nat Wolff on making John Green's heightened language and world work on screen.
8: John Green talks about his role as 'Girl's father' and the hairdresser's comments on hair hygiene.
9: John Green on his incessant tears on set and what it was like watching filming.
10: Director Josh Boone on the reception of the film and pleasing fans of the book.
11: Director Josh Boone discusses the scenes he was most worried about shooting.
12: John Green discussing the guts it took FOX to adapt TFIOS faithfully.
13: The panel discusses their favorite scenes.
14: John Green, Josh Boone, and Wyck Godfrey on what movie they think all English majors should watch.
15: John Green answers the fan question of the labyrinth link between Looking for Alaska and TFIOS.
16: John Green talks (around) his new project potential.
17: Fan question about the love scene answered by John Green and Josh Boone. You won't want to miss John's reaction to this!
18: John Green answers the fan question of what authors inspired him along the way.
19: John Green answers fan question about good friend and important Nerdfighter, Esther Earl.
20: John Green answering a fan question about how his ideas develop into full-length books.
21: John Green answers fan question about future works. (Stick around for the Sherlock/Doctor Who fanfic answer.)
22: John Green answers fan question about how he feels towards fanfiction about the film.
23: Panel answers fan question about who they would cosplay as at a convention.

Saturday, June 7, 2014

Michael H. Weber and Scott Neustadter talk to Time Magazine



Time Magazine talked to Scott and Michael about how to turn a great book into a movie that makes fans and critics happy.

Fans of John Green’s beloved bestseller The Fault in Our Stars have been waiting just two years for the film adaptation on June 6 — but for devout followers of the book, it’s felt like much longer. Thanks to the author’s on-set social media teasers and extensive marketing from FOX, the amped-up-anticipation turned into a fan frenzy, which all weighed heavier on the imminent question: Will the film live up to the book? 
After all, it’s difficult to trust Hollywood, and it’s not just fans who are often disappointed. Bestselling writer Jodi Picoult has voiced frustration over her books being made into movies, telling TIME: “It’s really hard to have people in Hollywood lie to you. What’s really upsetting is when a fan says, ‘Why did you let them change the ending?’ As if we have any say in the matter.” Stephen King, similarly, was vocal about disliking Stanley Kubrick’s adaptation ofThe Shining. 
While the book-is-always-better mindset persists, a new dawn is near: as Hollywood continues to look to books tied to a preexisting fan base, screenwriters continue expressing a desire to stay true to the original work. 
The lucky job of pleasing Green’s fans went to Scott Neustadter and Michael H. Weber, the dominant screenwriting duo behind 500 Days of Summer; next, they’re set to tackle book-club favorite Me Before You. The story for The Fault in Our Stars follows Hazel and Gus, terminally ill teens who fall in love after meeting in a cancer support group. Though some changes did have to be made, Neustadter and Weber stumbled on the book as fans and wanted to preserve the heart of the story as much as possible.
“Our attitude resembled the fans who thought this might get screwed up,” Weber says. “We were, like, someone is going to do this the wrong way.” The task at hand wasn’t easy, Neustadter explained. “Your job is to figure out how to take something that people read over a week and do it in 100 minutes.”
(...)
But those who’ve been privy to early screenings ofThe Fault in Our Stars seem pleased with the results. The substance of Green’s voice and the tear-jerking storyline is still very present. Approval from devoted fans has already begun to trickle in on social media — plus Green’s own endorsement, which he explained at a separate BookCon panel dedicated to the film’s release. “There were parts [of the script] I was infuriated by,” he said. “But it’s because it was so much better. They captured the tone, the feel, the kind of vibe I wanted to book to have.”

These are only snippets of the whole article, which includes interviews with the screenwriters of The Giver and This Is Where I Leave You. Check out the whole very interesting article at the source.

Thursday, May 1, 2014

Wyck Godfrey talks about convincing John Green to adapt TFIOS into movie

The Philippine Star published a new interview with John Green, producer Wyck Godfrey, and screenwriters Scott Neustadter and Michael H. Weber. Wyck and John talk about how John was convinced to sell the movie rights of TFIOS.

Even before the novel was published, Hollywood came calling.  But Green was reluctant to sell the movie rights.  “I felt the story was so personal and close to me I just couldn’t imagine it being turned into a movie.”
Producer Wyck Godfrey was aware of the author’s reluctance.(...) “We had been trying to find something that would speak to the next wave of young readers who were looking for something that was very real, and The Fault in Our Stars felt like the next step for young adult fiction.”
Godfrey approached Fox 2000 Pictures president Elizabeth Gabler, and together they moved quickly to secure the movie rights. “We got on the phone with John and convinced him we were the right people to turn the book into a film,” Godfrey recalls.  Their mutual love of football (soccer) helped seal the deal.
“I admitted to being a huge Liverpoolfan, and as luck would have it, so was John,” adds the producer.
From the beginning of deals, Wyck was conviced that TFIOS was more than a sad, cancer story. John really appreciated that.
“One of the things Wyck said to me during those meetings was, ‘You didn’t write a cancer book, and we’re not going to make a cancer movie,’” Green remembers.  “Wyck didn’t want the film to be sentimental or about learning to be grateful for every day.  Wyck wanted the film to be raw, exciting and a celebration of life.  And that’s exactly what I was looking for."
The interview also talks about the screenwriters falling in love with the book and feeling honored to be involved in the movie. Wyck also explains why Josh Boone was the best choice for director of TFIOS, especially after reading the "Stuck In Love" script and watching the movie.

To read the entire article, visit The Philippine Star.

Wednesday, August 21, 2013

Day 3 of Rehearsals: Robb Sullivan, The Literal Heart of Jesus and more

Robb Sullivan, the TFIOS editor, tweeted that the cutting room officially opens.



Producer Wyck Godfrey posted that they are in the church in which the support group meets
today and added a photo!



John Green expressed his excitement for the movie and revealed that he will be on the movie set on Sunday


And screenwriter Scott Neustadter answered:



Tuesday, August 20, 2013

Day 2 of Rehearsals: Wyck Godfrey, Ben Richardson, Ansel Elgort, Nat Wolff

It's day 2 of rehearsals on the TFIOS set and Wyck Godfrey and Ben Richardson shared images of the slate with us.


Check out a picture of Nat Wolff sleeping and a vine from Ansel Elgort 
UNDER THE CUT


Monday, August 19, 2013

Day 1 of Rehearsals: Scott Neustadter, Wyck Godfrey and Ansel Elgort

Screenwriter Scott Neustadter just posted a picture of the TFIOS script with the caption:

Off to a great start. @wyckgodfrey @thisisweber @JoshBooneMovies @shailenewoodley @AnselElgort @natandalex #tfios



This picture was taken at the TFIOS table read that is happening today!



Director Josh Boone also shared an image of our Gus Ansel Elgort looking very focused while giving the producer Wyck Godfrey a haircut. 


Thursday, August 15, 2013

TFIOS screenwriters do Reddit Q&A and talk TFIOS movie

TFIOS movie screenwriters, Scott and Michael, did a Reddit AMA where they talked about The Spectacular Now, 500 Days of Summer, their process of screenwriting, TFIOS and so much more. Here are some of the TFIOS questions they answered:

EnjoiThatMosh 
Hi guys. Can I trust you guys to make me, a 6ft bearded guy, come out of the TFIOS film bawling my eyes out?
MichaelAndScott 
if not, see a doctor immediately, check those tear ducts. - Scott
Tama0026 
Thanks so much for doing this! I wanted to ask a few questions: How did you guys come about picking up TFIOS and then adapting it into a screenplay? And how was both your experiences of reading the book for the first time? Also TFIOS already has a huge fanbase coming with it, did that influence the way you guys worked on it? Especially since a lot of quotes of this book have become VERY popular.
Thanks so much!
MichaelAndScott
the true story is my dad had just died of cancer. this book had come along and people were loving it but the producers were afraid to approach us knowing what i was going through. luckily, i decided to read the book and of course we fell in love with it the same way you guys did. and because the situation was very fresh in my mind, i think we were able to tackle it with the right spirit and in the right way. i dont know why they hired us to adapt it, as opposed to the many other people they could have hired, but we sure are glad they did. and we hope we did it justice! - scott
HarryMcFann 
Which one of your screenplays did you find to be the most challenging to write?
MichaelAndScott
they all present their own challenges, of course, but sometimes the challenge is the thing thats exciting in the first place. capturing tim tharp's first person voice in spectacular now was a fun challenge. the same with hazel grace's voice in fault. the challenge of 500 was being able to open and honest about my own personal, ridiculous issues. we love a challenge! - scott
Cyclops_lazy_laser_I
Is tfios going to be awesome? Is it going to stay true to the book?
MichaelAndScott
oh yeah. we feel very much like the protectors of this book. one of the reasons we wanted to do is was to make sure no one else did for fear they'd change too much or get things wrong. of course a book and a movie are two very different things, but overall we suspect fans of the novel will be happy when we see the movie. ask john, he's feeling good so far! - scott
addictedsara_
In an interview you guys said that with The Spectacular Now (and maybe TFIOS?) you have to make the script cinematic while doing justice to the original material. How does that work with your outline process? How do you know which scenes would be good for screen and which to cut?
MichaelAndScott
we don't always know! we talk about it a lot. we outline and re-outline. and we understand that a script is very fluid - it will change when a director comes on board. a script is a map for the director to go make a movie. and we will spend a lot of time with the director talking about how to make it more cinematic. - Michael
iwanturpizza
as everyone has said, i love both (500) Days and The Spectacular Now so much, and i'm looking forward to what you guys have in the future! i have 3 questions, hopefully i'm not too late to ask a question because i think i found this late D:
how was the writing process different for writing The Fault in Our Stars, knowing it has such a crazy fan-base with all the nerd-fighters anticipating it's release, and would you guys adapt any other of John Green's novels'?
My last question is, i have always felt that i can somehow maybe get my voice out there in script form. While i can just write a narrative, what books or computer programs would you recommend to get started? Thank You!!! :]
MichaelAndScott
i dont think the fact that fault was so beloved and had such a huge fan base was an influence on our writing process or on what we kept and didnt keep from the book. the truth is, the book is just so good that it made no sense to deviate from it just for the sake of deviation. our goal was to capture, translate, and visually communicate what all of you (and both of us) loved so much about this book. and we hopefully did that. - Scott
lolsasha
How do you hope the die hard TFIOS fans react to the way you've adapted it? I know there are always issues with things not being included due to time and whatnot, but do you think the fans will react positively to how you've understood the book and adapted it? Thanks for doing an AmA guys :)
MichaelAndScott
it's our hope that fans of the book are just as passionate about the movie as they are the novel. thats all we can hope for, really. as a fan of john's and as fans of "fault," our aim is to make sure everything great in the novel finds its way into the movie. a really hard thing to do but we definitely feel like everyone involved wants the exact same thing. so we're confident...
liamquane
was it weird working on such a project like The Fault in our Stars. as I understand it is quite a sad project isn't it? where there any challenges? :~)
MichaelAndScott
its sad, its funny, its romantic, its hopeful, its all the things we love. you should read it, its awesome! - scott
darpachief 
How complicated was the notes process on a priorly unheralded screenplay like 500 Days of Summer versus a 'brand' property like The Fault in Our Stars? You guys write films that are a little left of center. Any interesting studio headbutting anecdotes to share?
MichaelAndScott
on both projects the notes process was fairly simple - sorry, no headbutting anecdotes. Peter Rice, who ran Fox Searchlight, had only one really smart note on 500 - and that note ultimately led to the reality / expectations splitscreen. on TFIOS the only notes were a few typos! we start shooting TFIOS in 2 weeks so hopefully we don't have to change anything between now and then... -Michael
addictedsara_
John Green said your script moved him and he barely cries with TFIOS stuff. As writer of the screenplay, did you get emotional writing it? or were you a bit detached?
MichaelAndScott
thats great to hear about john. i didnt know that. reading the book, i of course was very emotional, and probably not just because i had just lost my dad. the book packs that kind of punch for everyone i think. reading the script, i kept my emotions in check - but watching some of the auditions, man, i was a weeping mess! we've got an amazing cast and i think its gonna be really moving. invest in kleenex stock, everybody. - Scott

Check out the whole Q&A at Reddit

Wednesday, August 14, 2013

Screenwriters Scott Neustadter and Michael Weber talks TFIOS and Shailene with Huffington Post



TFIOS screenwriters Michael H. Weber and Scott Neustadter recently talked to Huffington Post about their latest movie "The Spectacular Now" (which also stars Shailene Woodley)


You're working with Shailene again on "The Fault In Our Stars." Did you tailor the script to her strengths, having seen them first hand on "The Spectacular Now"?

Weber: We didn't have to change the script much for her, but it helps that we have a shorthand. We talk all the time about these things, because now we've been to war together. She knows that there's always a dialogue with us on everything. It's just great to have that with someone and that trust is there.

Neustadter: The objectives are always the same. One of the things that's really nice about Shailene -- and it was this way with everybody on "Spectacular Now" -- was that we all knew what we wanted it to be, and if something wasn't feeling that way, we all talked about. "It should be X and it's Y, let's figure that out." With "Fault in Our Stars," Shailene's idea of what it should be is exactly what ours is. If she has a question about something, we talk about it. That it's based on a terrific book that she loves -- we all want to do justice to this piece of material. It's just a great thing that we're excited about.


Check out the rest of the interview at the source

Friday, August 2, 2013

Shailene Woodley talks TFIOS with Backstage Magazine

Photo by Jared Ryder| Backstage

Our Hazel Grace, Shailene Woodley, covers Backstage Magazine this week. In the interview she talked about The Descendants, The Spectacular Now, Divergent,  being cut from Spider Man 2 and of course, The Fault In Our Stars.
She briefly talks about emailing John Green and auditioning for the role ("known" actresses aren't always asked to auditioned). Scott and Michael, screenwriters for The Spectacular Now and TFIOS, also praised her:
She soon goes to work on “The Fault in Our Stars,” another role she pursued—after reading the book—by emailing author John Green and auditioning for director Josh Boone. “I was more than happy to audition because the character is 16, and I’ll be 22 when we film, so I knew they might have concerns,” she says. “Fortunately, the stars aligned on this one.” She also had people in her corner: Neustadter and Weber adapted the screenplay and were thrilled to work with her again. “She’s our Diane Keaton,” Weber says. “And I hope it keeps going. It’s so exciting to put your words in the hands of someone that talented.”
 On a red carpet interview with The Script Lab, Shailene returned the praise to Scott and Michael saying she loves that she is working with them in The Fault In Our Stars:
“I want to be in all their movies so when you talk to them will you just say ‘Shay wants to be in all your movies?’
Check out more of the interviews Backstage | The Script Lab
via

Screenwriters Michael H Weber and Scott Neustadter mention TFIOS in interviews

Photo: A24
VANITY FAIR

The Fault In Our Stars screenwriters, Scott Neustadter and Michael Weber, recently talked to Vanity Fair about their new film The Spectacular Now which they adapted and executive produced and which opens TODAY in NY and LA. During the interview they revealed a bit about the process of adapting a book for screen and staying true to the book:

How different is your writing process when it’s your own original material versus adapting a book like The Spectacular Now?
Weber: With the early drafts of an adaptation, first and foremost, we are trying to be true to the book. The movie has to stand on its own legs. You don’t want it to just go shot for shot of what’s in the book, but you also want to stay true to the spirit. There are some constraints. You can’t suddenly make huge changes.


 They also talked about their ultimate goal while writing a script and mentioned TFIOS:

Do you think that fans of the book will be happy with the outcome?
Neustadter: We hope so. We have done a lot of adaptations now to this point, and I think a lot of times there are books that you know you need to make a lot of changes to in order for it to become a movie. Some novels just don’t really translate that well. Then other times there have been books that have terrific ideas, and we run with those in our own way. In this particular case and with The Fault in Our Stars—which we’re going to make in August—the No. 1 objective was make sure that audiences don’t say, “Well, the book was so much better,” which I think happens 90 percent of the time.

READ MORE AFTER THE CUT 

Wednesday, July 24, 2013

TFIOS screenwriters talk about TFIOS and The Spectacular Now

The screenwriters of "The Spectacular Now" and "The Fault In Our Stars," Michael Weber and Scott Neustadter talked to fansites like Page To Premiere about adapting both films for screen, having Shailene Woodley and Miles Teller act out their words and more.

They spoke briefly about TFIOS:

You guys also wrote the screenplay for The Fault in Our Stars and I was wondering since you saws Shailene Woodley work with you’re The Spectacular Now script did you write The Fault in Our Stars script in part to play into Shailene’s strengths?
Writers: No. She was a big fan of the book and our script. It seemed like there was a false story going around that it was predetermined that she was going to be Hazel Grace but she actually did audition and beat out a couple hundred people! I’m not even sure we had met Shailene when we wrote the script for The Fault in Our Stars. It’s great. We love that we are working with her again. She’s fantastic but TFIOS script credit is obviously to an amazing book.
and
Writers: We have been really lucky. We have been doing this run of adaptations and whether it’s Tim Tharp with The Spectacular Now or John Green with The Fault in Our Stars they have all been very supportive and open to what we are doing.

Check out the rest of the insightful interview at PageToPremiere.com

Tuesday, July 23, 2013

Cast, Crew and John Green react to the casting of Nat Wolff and Laura Dern

John Green to Nat Wolff "You are so great! I am so excited!"

John Green reacts by congratulating Nat and Laura and explaining "I know a lot of you wanted me to play Hazel's mom. I did, too. But when a brilliant Academy Award-nominated actress is interested...yeah."
Screenplay writer Scott Neustadter answered "We tried. @realjohngreen from the screenplay: "Hazel's Mom (tall, brown hair, glasses, male)..."


To which John Green replied "That made me actually laugh out loud."




 Ansel Elgort tweets "Congrats to my main man @natandalex!! I can't wait to start filming! #tfios"

Nat Wolff replies "We're gonna tear Pittsburg up."

Josh Boone commented on his tumblr:


Be sure to follow Nat Wolff, Ansel Elgort, John Green and Scott Neustadter on twitter.